Nemanja Mitrašević
Composer · Orchestral Conductor
Written by a conductor, not a generator.
About
Orchestration isn't a preset. It's the discipline I was trained in.
I studied orchestral conducting at the University of Music and Performing Arts in Vienna, and have taken part in over 100 concerts — both as a conductor and as an orchestral musician — including work with the Belgrade Philharmonic Orchestra.
That background shapes how I write. When a cue needs to breathe, or a string line needs to sit under dialogue without fighting it, those are decisions made from years of standing in front of an ensemble and hearing what actually works.
My catalogue spans ambient, cinematic, and orchestral instrumental work. It's used by filmmakers, documentary producers, podcasters, and brands who need music that carries weight without demanding attention.
Everything is licensed directly. I hold 100% of masters and publishing, which means every question about rights ends with me — no label, no publisher, and nobody else to wait on.
Performances
The rooms the catalogue comes out of.
Concert recordings. Worth a few minutes if you want to hear how the writing translates to live players.
Licence the catalogue
One payment. No attribution. No claims on your uploads.
Over 130 original instrumental tracks — ambient, cinematic, and orchestral. Composed, orchestrated, and produced by hand. No generated audio, no sample-pack assembly.
Listen first
A cross-section of the catalogue.
Single track
$15
one track
One track of your choice, delivered as WAV and MP3 with the full commercial licence.
Licence a trackCreator pack
$45
five tracks · $9 each
Five tracks chosen to work together across a video series or a podcast season, without jarring shifts between episodes.
Licence the packFull catalogue
$150
26 tracks · under $6 each
The complete bundle. Best value if you publish regularly and want a consistent sound across everything you make.
Licence the catalogueWhat the licence covers
Unlimited commercial use, worldwide, in perpetuity: YouTube, film, television, podcasts, advertising, games, apps, and social media. No attribution required. Full licence text is included with every purchase.
Publishing on YouTube?
Part of the catalogue is registered with automated content identification, so send me your channel and I'll whitelist it before you upload — no claim can then appear on your videos. I hold 100% of masters and publishing, so this takes minutes and needs nobody's approval. If a claim ever slips through, it's released the same day.
Commissioned music
When the catalogue isn't the answer.
If a scene needs a cue written to picture, or a brand needs a theme that belongs to no one else, I take a limited number of commissions each year.
- Original scores for film, documentary, and short-form
- Themes and identity music for brands
- Orchestral arrangements and orchestration for existing material
- Music written to picture, to timing, and to brief
Brief
You send the project, the tone, the length, and the deadline.
Sketch
A short demo before full production begins, so we're aligned early.
Delivery
Final stems and mixed files, with rights transferred or licensed as agreed.
Pricing depends on length, instrumentation, and rights. Small documentary cues start around $300; full orchestral work and exclusive buyouts are quoted individually. Ask, and you'll get a straight number.
Contact
Licensing questions, commissions, sync enquiries — write directly.
Every enquiry is answered personally, usually within two days. Based in Serbia, working with clients across Europe, the Middle East, and North America.